Guest Blogger and WWEnd Member, Charles Dee Mitchell, has contributed a great many book reviews to WWEnd including his extensive Philip K. Dickathon blog series. This is a new series where Dee explores the darker side of genre fiction and it’s practitioners. Be sure to visit his blog www.potatoweather.blogspot.com for more genre goodness.
My copy of the OCEL is a fifth edition and has no entry for Campbell at all. If it did, that first statement might be followed by this bit of information: Charles Dee Mitchell has attempted to read five of Mr. Campbell’s works and only succeeded in finishing three. And trust me, in the case of those I abandoned it was not because I was too terrified to turn another page.
Ramsey Campbell may neither travel well nor date well. He has an American following but is a much bigger deal, obviously, in Great Britain. He is, after all, their most respected living horror writer. He has been publishing since the late 1950’s, and his most recent novel came out just this year from one of the presses that do high-priced, short runs of fantasy, horror, and science fiction titles. The books I tried were early to mid career novels. The Doll Who Ate His Mother (1976), The Face that Must Die (1979), The Nameless (1981), The Hungry Moon (1986), and The Influence (1988). Perhaps the past two decades have seen a remarkable transformation of his style and storytelling, but it is not as though the ones I read came un-recommended. The Face That Must Die was a somewhat fancy reprint with an introduction by Poppy Z. Brite and a few really bad illustrations. The Influence won the 1989 British Fantasy Award and is on the Guardian’s list of best sf and fantasy. The Hungry Moon, absolutely the worst of the lot, is the novel chosen by the Horror Writers Association to represent Campbell’s work.
So is it just me? Of course, if that turned out to be the case, I would be the last person to admit it. I found the books mildly entertaining to unreadable. The thought that they might be genuinely frightening or even unnerving never crossed my mind.
I’ll start with the ones I didn’t finish. The Hungry Moon is an overlong tale of Druid magic resurrected in the modern day by a religious nut. Campbell introduces us to too many of the residents of Moonwell, a village in Northern England. We learn what supposedly makes each one interesting and that takes a while. Then the event happens and we see how each of them react. Since I started skimming and finally quit the book, I don’t know the full panoply of horrible things that go on. But in the first chapter you learn that the village of Moonwell not only no longer exists but has been removed from maps, memories, and the telephone directory. The Influence concerns an evil great aunt out to possess the soul of her grandniece. If it had been a movie on TV and I could fast forward the commercials I would have watched it. But I couldn’t read it.
The other three novels are about psychopaths, two of them with some black magic references. The best of them is The Face that Must Die. The anti-hero, a Mr.Horridge, is a deranged young man obsessed with the evils of homosexuality. Great Britain decriminalized homosexuality in 1967, and decade later, Horridge sees the twisted results of the legislation everywhere he turns. He and his hammer will do what they can to remedy this situation. When the book first came out, portions were excised supposedly because they were too shocking. The complete text did not come out until 1982. Now the book just seems like fun. Horridge is crazy, and the block of flats on which he focuses his rage is peopled by characters only one of whom is gay and none of whom have any idea what’s coming. Like some of those old British stage thrillers, this is a shocker that now plays as black comedy.
Campbell lives in Liverpool, and what he does best it create the down-in-the heel atmosphere and characters of that dismal, at least in his rendering, Northern England city. Everything is rundown, the weather is miserable, the people often not very bright. I especially liked the paranoid, pot-smoking hippie and the scatterbrained artist who lets a psychopath into her flat thinking he is the plumber.
So big deal, Mr. Campbell is not my cup of tea. If anyone, however, finishes The Influence, I am curious to know if anything even vaguely unpredictable happens by the time it is over.