Logan has seen some shit and it has taken it’s toll on him. I really like where they’re going with this. Long-term consequences are not often portrayed in superhero movies. Here we’re going to see just what years of superhero-ing can do to a man. I’m wondering if his healing powers are on the wane with all those scars on display. And the Professor does not look too good either. They both look rode hard and put up wet and the Johnny Cash song plays perfectly to emphasize the decay and remorse. Can’t wait.
The Legend Award for Best Fantasy Novel:
- The Liar’s Key by Mark Lawrence (Harper Voyager)
- The Dread Wyrm by Miles Cameron (Gollancz)
- Son of the Black Sword by Larry Correia (Baen)
- Gotrek & Felix: Slayer by David Guymer (Black Library)
- Ruin by John Gwynne (Pan Macmillan)
The Morningstar Award for Best Fantasy Newcomer:
- The Vagrant by Peter Newman (Harper Voyager)
- Battlemage by Stephen Aryan (Orbit)
- The Traitor Baru Cormorant by Seth Dickinson (Pan Macmillan)
- The Fire Sermon by Francesca Haig (Harper Voyager)
- Starborn by Lucy Hounsom (Pan Macmillan)
- An Ember in the Ashes by Sabaa Tahir (Harper Voyager)
August Derleth Award for Best Horror Novel:
- Rawblood by Catriona Ward (Weidenfeld & Nicholson)
- A Cold Silence by Alison Littlewood (Jo Fletcher Books)
- The Death House by Sarah Pinborough (Gollancz)
- Lost Girl by Adam Nevill (Pan Books)
- The Silence by Tim Lebbon (Titan Books)
- Welcome to Night Vale by Joseph Fink and Jeffrey Cranor (Orbit)
Robert Holdstock Award for Best Fantasy Novel:
- Uprooted by Naomi Novik (Macmillan)
- Guns of the Dawn by Adrian Tchaikovsky (Tor)
- Half a War by Joe Abercrombie (HarperVoyager)
- The Iron Ghost by Jen Williams (Headline)
- Signal to Noise by Silvia Moreno-Garcia (Solaris)
- Sorcerer to the Crown by Zen Cho (Macmillan)
Every once in awhile a new SF film like this just seems to sneak up on you out of the blue. How the hype machine did not bring this to my attention earlier is a mystery but I have to say I’m pleasantly surprised. Pratt and Lawrence are two of the biggest names in Hollywood and I like them both and the special effects look superb. And yeah, something going wrong with hyper-sleep is a classic trope but at least it’s not a remake.
I’m researching fan polls for favorite science fiction books for v. 4 of the Classics of Science Fiction list, and I came across something curious. In the “THE INTERNET TOP 100 SF/FANTASY LIST” there seems to be greater love for fantasy in 1999 than in the 2016 Goodreads poll “Best Science Fiction & Fantasy Books.” Both polls involved thousands of voters, which is a good sample. Now I’m just looking at the top 100 books, so many of the popular fantasy titles from the Internet 100 list might show up further down on the Goodreads list. If you look at the second and third hundred books on Goodreads, fantasy starts appearing with greater frequency.
However, comparing just the most popular 100 books suggests that fantasy is less popular in 2016 than in 1999. Do you think that’s true? Both lists where voted on by people who like to use the internet. My hunch would be more males voted in 1999. Both systems allow for multiple ranked entries with the Internet 100 using 1-10 and Goodreads using 1-5. There’s no telling what the voter demographics are like for each. My guess is younger readers voted in the Internet 100, and Goodreads appeals to all ages. If that’s true, does that mean science fiction sticks with people as they get older?
Any other ideas?
At my blog, Auxiliary Memory, I’ve been adding Amazon Affiliate links to all the various lists of science fiction books I’ve created. This tedious activity is quite informative. The most obvious trend I spotted, is we’re moving away from mass market paperbacks. They still exist, but far fewer in number. How many people are buying them? Even more surprising is how often I see a mass market paperback cheaper than the Kindle edition. A common price is $7.99 for the ebook, and $7.19 for the mass market paperback. And if you’re an Amazon Prime customer, the price of shipping is built into the paper price. Are they encouraging people to keep buying paperbacks? Or, are ebook prices fixed, and Amazon is discounting the paper?
On the other hand, many classic science fiction novels are only available in Kindle editions, or Kindle and Audible editions, so the only choice is digital. And the prices for Kindle ebook editions are all over the map. Currently, you can get many of Greg Egan’s great novels from the 1990s for $2.99 each. But other books from that era go for $7.99, $9.99, $11.99 or even $13.99. I can’t believe they price older ebooks equal to cheaper trade paperback editions. But then, the prices for trade paperbacks are moving closer to what hardbacks were not many years ago, and the prices of hardbacks are soaring.
I found it quite disturbing how many books are only available in digital. My all-time favorite science fiction novel, Have Space Suit-Will Travel can only be bought in an ebook or audio editions. The Kindle is $6.99. Several of Heinlein’s books are only available in these formats. Does that mean fewer people are reading Heinlein? Or, do his fans prefer digital editions? I can understand the flood of forgotten novels from decades past having only Kindle editions. I doubt there are enough buyers to make a print edition break even. And ebooks have been wonderful for bringing back classic SF long out of print. Recently most of Clifford Simak’s novels and short stories showed up in new digital editions.
I tend to think pricing for ebooks is related to the fame of the book or author. Dune, a classic from the 1960s, goes for $9.99. The Diamond Age by Neil Stephenson, from the 1990s goes for $11.99. In the old days, age meant cheap paper editions. I remember buying pocket books costing 35 cents off of twirling wire racks when I was a kid. It’s hard to imagine children plunking down $10 for a Sci-Fi wonder today.
Since I’m adding Amazon Affiliate links I have to decide which is the edition people will most likely want. For the most part, I’ve settle on Kindle editions because they are often cheaper compared to trade paper editions, the common print format. If you consume science fiction versus collecting it, going digital is more thrifty. Digital also seems science fictional too, but I do know that many people still prefer to read off of paper. And I have to wonder how many people prefer spending $14.95 for a trade edition over $7.99 to read a Kindle edition?
Since I’m adding links to the Classics of Science Fiction list, I’m assuming most people are going through the list reading the classics, and not collecting. I’ve been building my own digital library of the Classics of Science Fiction list on the cheap. The Kindle Daily Deals, BookBub, Early Bird Books and LitFlash all send me daily reminders of ebook specials. I’ve bought dozens of books from the Classics of Science Fiction list for $1.99 each. I’m still kicking myself for not buying Jack Faust by Michael Swanwick and Blood Music by Greg Bear from yesterday’s deals. I saw the emails and thought, “I’ll do that in a minute,” and then forget. Damn. Today they are $6.15 and $7.99. Jack Faust has no paper edition, and Blood Music is $13.99 for the trade paper. Although you can get a used hardback copy for $0.01 and $3.99 shipping.
Most of my science fiction collection is digital now, either Kindle or Audible. I only buy paper if it’s much cheaper, the only available format, or I can’t get it from the library. In this regard, I know I’m atypical. I think most science fiction fans prefer to build large collections of visible books. Yet, is that practical with the rising cost of printed books?
I’ve committed to digital. All my Kindle and Audible books are available on my iPhone, which goes with me everywhere. That’s rather futuristic, because I’m carrying around a couple thousand books in my pocket. In the past, when I moved and loaded 2,000+ books in boxes into a truck, it was a huge pain in the lower back. It’s hard to believe I now carry that many books with me everywhere I go.
The 2016 Arthur C. Clark Award has been announced:
- Children of Time by Adrian Tchaikovsky (Tor)
- The Long Way to a Small, Angry Planet by Becky Chambers (Hodder & Stoughton)
- Europe at Midnight by Dave Hutchinson (Solaris)
- The Book of Phoenix by Nnedi Okorafor (Hodder & Stoughton)
- Arcadia by Iain Pears (Faber & Faber)
- Way Down Dark by J.P. Smythe (Hodder & Stoughton)
Our congrats to Adrian Tchaikovsky and all the finalists.
- The Fifth Season by N.K. Jemisin (Orbit)
- Ancillary Mercy by Ann Leckie (Orbit)
- The Aeronaut’s Windlass by Jim Butcher (Roc)
- Seveneves: A Novel by Neal Stephenson (William Morrow)
- Uprooted by Naomi Novik (Del Rey)
Our congrats to N. K. Jemisin and all the finalists. You can see the complete list of winners in all categories over at Locus. With this award win Jemisin has been added to our ever-growing list of Award Winning Books by Women Authors again.
- Radiomen by Eleanor Lerman (The Permanent Press)
- The Water Knife by Paolo Bacigalupi (Orbit/Knopf)
- Europe at Midnight by Dave Hutchinson (Rebellion)
- Luna: New Moon by Ian McDonald (Gollancz/Tor)
- Galapagos Regained by James Morrow (St. Martin’s)
- Going Dark by Linda Nagata (Mythic Island/Saga)
- The Book of Phoenix by Nnedi Okorafor (DAW)
- Where by Kit Reed (Tor)
- The Thing Itself by Adam Roberts (Gollancz)
- Aurora by Kim Stanley Robinson (Orbit)
- Seveneves by Neal Stephenson (William Morrow/Harper Collins)
Our congrats to Eleanor and all the finalists. With this award win Lerman has been added to our ever-growing list of Award Winning Books by Women Authors.
Arrival is based on Ted Chiang’s novella Story of Your Life and it looks pretty damn good to me. Finally an original SF movie that’s from a big name author rather than a franchise retread. This is what we always talk about wanting when yet another Star Wars movie or unfortunate remake of an old classic like The Day the Earth Stood Still fails to impress. I hope it’s good. What do you think?