Guest Blogger and WWEnd Member, Charles Dee Mitchell, has contributed a great many book reviews to WWEnd including his blog series Philip K. Dickathon and The Horror! The Horror! He can also be found on his own blog www.potatoweather.blogspot.com. This is Dee’s sixth GMRC review to feature in our blog.
My Junior high school library had a copy of Starship Troopers on the shelf. I never read it. I had read some of the Robert Heinlein juveniles, and I think I assumed Troopers was another. I had also read a paperback copy of The Puppet Masters, which was one of my first forays into genuinely adult SF and of course I loved it. But I loved monsters more than military, and so Troopers never caught my attention although I loved that first quote, “Come on, you apes. You want to live forever?”
Soon I quit reading science fiction in general and I got the word that Heinlein was the bully pulpit for the military establishment. Boo. Hiss. So I was was surprised that the novel was not nearly so jingoistic as I expected. I think it would have defeated me, however, in seventh grade. Despite the good action and cool bugs, that middle section of officer training school would have done me in.
A couple of reviews I read emphasized that the novel should not be confused with what the reviewers obviously considered the vastly inferior Paul Verhoeven 1997 film version. These reviewers must be the true believers. I loved the movie when I first saw it and thoroughly enjoyed it watching it again after reading the novel the other day. Verhoeven passes Heinlein’s text through the deconstructionist mill. (Did Michel Foucault get a consulting credit?) I’ve already said the novel did not strike me as the jingoistic broadside I anticipated, but what fun to see these minor celebrities giving their severely limited all to this high-gloss parody of everything Heinlein must have held dear. There is a rumor that the actors, few of whom were the sharpest pencils in the studio box, had no idea they were being made fun of. I think that like most young actors with few credits to their names they were more interested in their paychecks than in the socio-political implications of their characters.
Book and film should absolutely be absorbed as a single experience. Probably the book should be read first, just so you do not have to picture Casper Van Diehm in the leading role until the last possible moment.